Mastering Service. We offer Audio Mastering from single track Mastering, EP Mastering, LP Mastering. Mastering for streaming services as well as Dolby Atmos Mastering.
We use both high quality industry standard analogue equipment with the latest audio technology software. Which is sometimes referred to as hybrid, we like to use the terminology Mojo.
Please go to our Order Mastering page here you will be able to find all information regarding ordering Mastering.
To prepare your mix for mastering, make sure it is properly mixed and free of any technical issues or errors. Export your mix as a high-quality WAV or AIFF file at the same sample rate and bit depth as the original recording.
A Single Track Master is £65, discount start from three tracks please see our full Mastering rates.
Yes an account is needed which is free and automatically set up for you when you order any mastering service.
Turn around for a single track master is approximately 48 hours and for LPs/EP's 2-3 days.
There is also an express service available on request.
Yes we can master alternate mixes. It is best to supply these at the time of mastering the main mix so everything can be done together and more quickly.
We accept all the popular payment methods such as PayPal, Visa, MasterCard, Discover, Amazon Pay, American Express and Google Pay.
Once you have registered you will be directed to your account where you can upload your files through our secure web server for mastering.
We comfortable working with clients remotely and can provide online file transfer and communication options
Through our online payment portal which accepts the following payment methods;
PayPal, Bank Transfer, MasterCard / Maestro Card / Visa Card payments
Yes, we can provide examples of previous projects we've worked on for reference.
Mastered files can be delivered in a variety of formats, including WAV, MP3, and DDP (Disc Description Protocol) for physical media.
We will deliver
Master, 32-bit/96kHz WAV (For Archiving)
Master, 24-bit/44.1kHz WAV (Included)
Master, 16-bit/44.1kHz WAV (Included)
MP3 file, 320 kbps (Included)
Yes, we are happy to provide feedback and suggestions on the mix if requested.
Yes, we can adjust the stereo image or panning if needed, but it's typically best to address those issues during the mixing stage if possible.
Yes, I offer stem mastering and can provide feedback and suggestions on the mix if desire
We are happy to make revisions or adjustments if needed for free within reason to ensure that the client is satisfied with the final product.
We charge per song, but I offer discounts for larger projects or bulk orders.
We use a combination of software and hardware, including EQ and compression plugins as well as analog gear like tube EQs and compressors
Our standard service will provide
My approach to mastering involves careful listening and analysis of the mix, followed by strategic use of EQ, compression, and other processing to enhance the overall sound
I've been mastering audio for over 10 years and have worked with a wide variety of genres and clients
Every project is different on what may or may not be need mastering main features are
We use specialized metering and measurement tools to ensure that the final master meets industry standards for loudness and dynamic range. We also reference the master on a variety of playback systems to ensure it sounds good across different devices and environments.
We value open communication and collaboration with our clients. We provide an initial master for review and offer revisions until the client is satisfied with the final product. We work closely with our clients to address any feedback or concerns they may have.
For main mastering we use Wavelab Pro 11 along with Pro Tools 2023 RX10, Logic Pro X along with array of audio plug-ins.
Definitely! This is usually done on an hourly rate, please contact us to discuss.
We offer in-person mastering sessions, but sessions are done remotely. Check with us for their availability and preferences.
Yes, we will offer a certain number of free revisions after delivering the initial master.
You should provide the mastering engineer with a high-quality mix, the desired format and delivery method, and any specific instructions or notes.
Unfortunately, it’s not possible to make any changes to an order or cancel it once it has been placed. .
EQ (equalization) in stereo mastering is used to shape the frequency balance of a track, addressing any tonal imbalances and enhancing its overall clarity and presence.
Yes, stereo mastering techniques like dynamic range compression and careful use of limiting can increase the perceived loudness of a mix while still maintaining an appropriate level of dynamic range.
Stereo mastering engineers pay attention to the inter-channel phase relationships to ensure proper mono compatibility and minimize any phase cancellation or artifacts that may occur when the mix is summed to mono.
A mastering engineer ensures the overall tonal balance of a track by making adjustments to the frequency response, addressing any frequency peaks or dips, and achieving a cohesive and balanced sound.
Yes, stereo mastering techniques such as reverb, delay, and spatial processing can add depth, dimension, and a sense of space to a mix, enhancing its overall sonic depth.
Dynamic range compression in mastering is used to control the dynamic variations in a mix, making softer elements more audible while preventing excessive peaks, resulting in a more balanced and controlled sound.
Stereo mastering takes into consideration the sonic characteristics of various playback systems, aiming to create a master that translates well across different devices, ensuring a consistent listening experience.
Yes, stereo mastering techniques like stereo enhancement, panning adjustments, and spatial processing can enhance the stereo imaging of a mix, creating a wider and more immersive soundstage.
EQ (equalization) in stereo mastering is used to shape the frequency balance of a track, addressing any tonal imbalances and enhancing its overall clarity and presence.
While mastering primarily focuses on enhancing the overall sound quality, skilled engineers can sometimes address minor noise issues or clicks, although it is generally more effective to address these problems during the mixing stage.
A limiter is often used in stereo mastering to control the peaks and overall loudness of a track, ensuring it stays within acceptable limits without excessive distortion.
Yes, stereo mastering can address frequency balance and tonal adjustments to achieve a more balanced and cohesive sound across the frequency spectrum.
Mastering engineers employ techniques to ensure that a mix translates well across various playback systems, such as car stereos, headphones, and club sound systems.
Yes, it is possible to master a mono recording. However, the stereo mastering process might be limited as there is no stereo information to work with.
Common file formats used in stereo mastering include WAV, AIFF, and high-quality compressed formats like FLAC or Apple Lossless.
Yes, mastering engineers can address phase issues in a stereo mix to improve the overall clarity and imaging.
Mastering can adjust the overall volume of a song to ensure it is competitive with other tracks, while also maintaining a suitable dynamic range.
Stereo widening in mastering is used to enhance the stereo image of a mix, making it sound wider and more spacious.
Stereo mastering is the final step in the music production process, where a professional mastering engineer applies a series of techniques to optimise the stereo mix for playback on various systems and formats
Mixing involves adjusting the levels, panning, and effects of individual tracks to create a cohesive stereo mix, while stereo mastering involves applying a set of techniques to optimize the final mix for playback on different systems and formats.
The most common file formats used in stereo mastering are WAV and AIFF. These file formats offer high-quality audio and are compatible with most digital audio workstations and playback systems
Stereo mastering can improve a mix to a certain extent, but it cannot fix major problems with the mix. It is important to address any major issues during the mixing process before sending the mix to be mastered.
Yes, we can we use EQ and other processing to enhance the clarity and depth of the mix, but it's important to keep in mind that mastering can only do so much to fix issues with the original recording.
Our philosophy is to balance loudness with dynamic range, preserving as much of the natural dynamics of the mix as possible while still achieving a competitive overall level.
Mastering your music can offer several benefits, including:
Overall, mastering can be an important step in the music production process, helping to ensure that your music sounds its best and is competitive in today’s music industry.
Online Mastering is a secure online booking service for mastering your project. Choose which option you prefer, place your order, upload your project and any notes you may have and we will return your tracks as soon as they have been mastered.
A production master is the “master” copy of the CD that all the manufactured versions are made from. You need a master when you want to have a run of CDs produced at a production plant.
ISRC Code or International Standard Recording Code is a unique code used to identify recording and publishing rights, and credit information. Each ISRC is a unique identifier that can be permanently encoded into a recording or music video. Encoded ISRCs automatically identify recordings for PPL payments. More information is available here:
The major difference between the two formats is that a PMCD master is the physical disc, where as a DDPi master is a file, that can be burnt onto a DVD, sent via the internet, or backed up onto a hard drive. We recommend the DDPi format because a DDPi can be backed up onto multiple hard drives, so with this format you will only ever need to pay for one master. With a PMCD master, the master is a physical item and if it is lost or damaged you will need another.
The DDP player software will play a DDP master, allowing you to audition it exactly as it will be as a commercially manufactured CD, including gaps, track names and ISRC’s. You can also burn your own reference CD’s using the DDP player. This is available to all clients for free.
UPC (sometimes also known as EAN) stands for Universal Product Code and is a 13 digit code that is a type of barcode. They can be encoded into CD Masters (either DDP’s or PMCD’s), although they are not required. CD masters require the code to be 13 digits however some UPC’s are supplied as 12 digits. In that case we can ensure compliance by adding a 0 to the beginning of the code.
CD-Text is information such as release and song name that be encoded on a PMCD or DDP master. Some, but not all, CD players (such as DJ and car systems) can read this text.
Dolby Atmos is a surround sound technology that creates a 3D audio experience by adding height to the traditional surround sound setup.
Dolby Atmos mastering is the final stage of the audio production process, in which the mix is fine-tuned and optimized for playback on a wide range of devices and environments.
Dolby Atmos music can be delivered in a variety of formats, including Blu-ray, streaming services like Tidal and Amazon Music, and even vinyl.
Yes, we provide mastering services for a variety of music genres, including jazz, rock, reggae, hip hop, pop, electronic, classical, and more.
We provide detailed feedback on the mastering process, including any adjustments made and suggestions for future projects.
It depends on the specific online mastering service. However, most of our services allow for some level of customisation and changes during the process.
Yes, we can work with audio files that are already in Dolby Atmos format.
Yes, we can provide a sample of our Dolby Atmos mastering service upon request.
Any audio project that requires high-quality audio mastering, such as music albums, podcasts, film soundtracks, and video game soundtracks, can be mastered in Dolby Atmos.
Yes, to enjoy Dolby Atmos audio, you need to have a compatible audio setup that includes a Dolby Atmos-enabled sound system.
The cost of mastering audio in Dolby Atmos varies depending on the length and complexity of the audio files, as well as the specific services requested.
The time it takes to master audio in Dolby Atmos depends on the length and complexity of the audio files. Typically, it can take anywhere from a few hours to a few days.
We accept a variety of audio file formats, including WAV, AIFF, FLAC, etc.
The process for getting your audio mastered in Dolby Atmos involves uploading your audio files to the online mastering service, specifying your desired settings and preferences, and receiving the mastered audio files.
Stereo sound is a two-channel audio setup, while Dolby Atmos is a multi-channel audio setup that adds height to the traditional surround sound setup. Please read all knowledge base article for more info.
Online audio mastering is the process of enhancing the audio quality of a recording, making it sound more polished and professional.
Yes we do please see our Dolby Atmos Mastering page here
Some best practices include starting with a strong stereo mix, creating a clear and focused center channel, using EQ and panning to create separation between audio elements, and using the height channels sparingly.
Turnaround time is typically around 5-7 days, but it can vary depending on my workload and the complexity of the project.
Yes, we offer Dolby Atmos mix consultation and can help prepare content for streaming platforms that support Dolby Atmos
You will receive 2 files for distribution. A stereo version wav file, and a Dolby Atmos ADM BWF file.
A Dolby Atmos file can be created from your stereo record with some illusion of immersive audio, but to create a perfect 3D song, we will need to use your initially recorded multitrack for the song or mastered stems.
Yes, it is possible to remix a stereo or surround sound mix in Dolby Atmos. However, it may require additional work to create a truly immersive 3D audio experience.
Use a variety of playback systems and environments to test the mix and make adjustments as necessary to ensure compatibility across a range of listening scenarios.
It is possible to mix and master in Dolby Atmos using a laptop, but you will need a powerful computer with a compatible audio interface and software.
You will need a set of headphones that are compatible with Dolby Atmos, such as the Audeze Mobius or the Sennheiser AMBEO.
You will need to add height speakers to your setup to create a full Dolby Atmos setup. Existing studio monitors can still be used for stereo and surround sound mixing.
You will need a Dolby Atmos-capable Digital Audio Workstation (DAW) software, such as Avid Pro Tools or Steinberg Nuendo, and a compatible audio interface.
